1st
Milch’s racetrack is a microcosm of late-capitalist America’s death throes, the dark mirror of Deadwood’s exuberant robber-baron petri dish. —Matt Zoller Seitz on ‘Luck [New York Magazine]You had me at hello.
Andy Baio’s eighth year of investigating the speed at which Oscar-nominated films leak onto the internet. Screener leaks are way down and camcorder leaks are less common (and/or less popular).
(graph from Pirating the Oscars 2012: Ten Years of Data - Waxy.org)
Despite their very limited successes, this kind of data makes you wonder what Hollywood is thinking with their increasing efforts to delay the availability of legal copies of films on Netflix — a new agreement will impose a 56 day delay in adding films to a queue [LATimes via appleoutsider/theloop] — some sort of bizarre effort to promote DVD sales.
From Ian Parker’s long, revealing, story: “Tyler Clementi’s Suicide and Dharun Ravi’s Trial”. [The New Yorker]
The article really isn’t exactly about either of those things, and I’m sure that many people will read it very differently. For instance, I thought that it was sympathetic to both parties. But aside from the compelling and sad central narrative, there are just some completely phenomenal word choices throughout and it really demonstrates how people (college students) live publicly now without being showy (I’d barely realized how much was sourced from digital communications until there comes a jarring part in the story when he writes: “It’s not known if they talked—there is no electronic record.”).
twenty minutes in, when the Jack Russell looks at the camera and ‘says’ this … you LOL instead of killing yourself. Now THAT’s movie magic.
(Gabe Liedman considers the overlooked Oscars [;Videogum])
Michel Hazanavicius on the desires of Uggie, his film’s (mostly) retired Jack Russell Terrier and the campaign (endorsed by @Susan Orlean) to get him an Oscar. [The Press Association]
In sharp contrast, at least Christopher Plummer constantly sticks up for Cosmo, the dog star of Beginners, and refuses to be photographed with the inferior terrier actor. [videogum]
The Artist is Singing’ in the Rain for people who hate musicals.Everything about this photo sums up the flaws of The Artist—straining as hard as it can to make you love it, pathetic in all senses of the term. They’re not reaching out; they’re grasping.
… I thought that it was supposed to be A Star Is Born for people who hate talkies?
I so very badly want to know the distribution of vote totals for today’s Oscar nominations just to see how the instant runoff voting and 5% rule worked. Like, just how hard would it have been for Scott Rudin to get 300 people to cast a first preference ballot for Extremely Loud & Incredibly Close?
And further down the list, what happened in the Original Song category? Only two (or maybe just one?) song of the 39 shortlisted got the required 8.25 to qualify. Yay for Flight of the Concords, but too bad for the National, Jonsi, and Elton John, I guess.
The Awl: You aren’t snotty about keeping books in good condition, you acknowledge that dogears and scribbled notes are healthy, but you have a few special editions you’d only lend out to a very close friend.
— “What Your Favorite Blog Says About You” [Slacktory]
After seeing Haywire tonight, I think we found excuses for most the plot convolutions and acting flaws, but even when they don’t add up to all that much, Steven Soderberg has a way of making solidly entertaining movies.
(thanks to youaremystick!)
so many aLOLs.
Happy to see that my other top Arrested Development quotes are well represented. Including such hits as: ”Marry Me”, “Her?”, “I don’t understand the question and I won’t respond to it”, “Everything they do is so dramatic and flamboyant…”.
For a movie starring Sylar and Dan Humphrey as investment analysts, Margin Call was surprisingly good airplane viewing. (via Internet Movie Poster Awards Gallery)